Continuing my education in pigments and tone, tints and tones I read through the color recipe book. Rather than a cup of this and a pinch of that, it was so many parts and a speck. After trying to measure parts and specks I was totally frustrated. How large is a part? How small a speck? Then Geronimo! At the very back of the book was a clear plastic "Color Mixing Grid".
Now that that issue has been solved, onto the other issue - the basic colors I need to create any of these 390 unique "colors". "Permanent Blue"? Is that the "True Blue" I have. "Burnt Umber" - check, "Naples Yellow" - check. "Alizarin Crimson", not so much.
Out of the 30 base colors one needs, I have 12. Now comes the quandary, do I take the 40 or so colors I do have and try to see which color comes closest to the any given true base color. This may take some time. Will "Hooker Green" do for "Permanent Green"? Perhaps the pieces of my work will just be a tint, tone, or hue off.
Of course I haven't even thought about venturing into the Neon tones or Metallic colors. All of this makes me think - how elementary would my work be if I only used ROYGBIV plus black, brown, and white. Thinking more about it, my work requires a lot of Gray (which of the 7 different "grays" should I choose?). And Tan, there are only . . . Wait, there is no Tan in the book. 12 "Browns" but no Tawny or Tan.
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